Stepping Back From "Windowpanes" To Do Research That Will Bring More Elements To The Painting
Having books in my home is a necessity. I am speaking of many books. Some friends have asked why I don’t give my books away or donate them to a charity after I read them. I have done that at times and then re-purchased them here and there to return them to my bookshelves as each time I walk past them there is a slight echo or reverberation of their story; a story that became part of me once I read it.
A few days ago while shopping at my local thrift store I found a paperback copy of "A Tale For A Time Being," by Ruth Ozeki, one of my favorite authors. I read the book when I taught and lived in the Village of Wainwright, a Coastal Arctic Alaska village. I gifted it to a Reading Specialist who flew in for a couple of days to work with teachers. When I saw this thrift store copy, I literally picked it up and kissed the cover. It sits next to me now as I type. Being a bibliophile, I also love libraries.The motivating reason why I went to the library at UAF is because I have decided to slow down, actually stop, working on my new painting Windowpanes as I want each pane, or as many as possible, to be in itself a painting. This is my new artistic challenge.
I actually favor my painting Puzzle below (there is a hag stone sitting on the watercolor paper in the upper left corner). It was the first time I painted a grid painting using art tape. I think it’s beautiful. I won't be dishonest or shy about my affection for my artwork. There is just so much that’s right. Now, I am asking myself what can be taken away, not the salmon, and what can be added with more detail.
Too, I want to paint more diversity in lichen and sea life. Sounds like much! Yet, I see all of it already in my mind. That is why I borrowed the book below, as well as two others on seaweed.
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