Help Me Celebrate Good News. One Of My Poems Has Been Nominated For a Pushcart Prize!
I have been writing poetry since I was six years old. Over the years I have been fortunate enough to have had several of my poems published, including one in Tokyo, Japan just a couple of years ago.
When I’m traveling, I will scratch out the first few stanzas of a poem on a diner’s grease stained napkins, on torn bits of brown paper bags from purchases made here and there and in notebooks, which now there are many of.
Yet, I repeated a familiar stanza-counted style for most of my work. Last year, when my son Ian was visiting, I read him one of my newest pieces, as I often do when he is near. He said it sounded great but then added that I should change things up a bit, try new styles, “play with it a bit.”
I continued writing poetry in my favored style. Each was published in one literary journal or another, but Ian’s words tugged on my creative voice. Too, a poem I had started writing about a man I stood behind at White Bites, a food pop-up in Dillingham, Alaska, and all he said was calling me back to it.
This piece about the words I heard this man say in almost one breath needed to be written in a long-winding river of a poem, typed as one, too. To do so, I would need to jump out of my favored poetic style and write this work as concrete poetry.
Here’s what happened after I wrote it and sent it to my pool of long-standing readers. One read it and messaged me, “I think I met that man.” Another wrote me, “I see him so clearly as if I was the one standing behind him in line.”
Then it found a home on the pages of a literacy journal. The Poetry Editor of the journal sent me an email after they read my poem, which I titled Big Dipper, that they “adored” this poem and said it was typed out and written via an artist’s eye, an artist as poet.
I wrote my piece like this curving brick wall which serves as the header above the Poetry Foundation’s definition of concrete poetry.
What very recently happened made me understand that my son asking me to dance a little with my poetry, to step away from my seasoned style and to “play” with how I creatively expressed myself would create the opportunity for surprising recognition.
My poem Big Dipper was just nominated by that literary journal, by that Poetry Editor that wrote she “adored” it, for a Pushcart Prize, a national award for the best writing, poetry and prose, by authors published by a small press in 2025.
OK, let me write that again. I have been nominated for a Pushcart Prize in Poetry!! I invite you to celebrate with me by dancing in your kitchen, clapping your hands over head and by inviting yourself to “play” at something new in your creative endeavors.
I am so absolutely blown away and so jazzed! Thank you to my son who keeps encouraging me to grow, to blossom outside that terracotta container! Thank you, Ian!
Here is the poem. Do note that a Maqii is a hot sauna usually in a small shed behind the main house.
Big Dipper
Fifties
something
man.
Chipped
front tooth.
Tied back,
grey-streaked,
black hair.
Seahawks’
baseball cap.
Scent of
sage.
Waiting
for his
White Bites
order:
reindeer
hot dog &
salted
fries.
Pulls
a chewed
toothpick
from his
chapped lips,
turns to me
and says,
“The Earth
has shifted.
Big Dipper’s
handle
used to be
tilted up.
You’d think
it would’ve
spilled
its milky
treasure.
Looked
last night.
That
thing is
flat like a
c-iron
on my
loaned
Coleman.
Climate
change
shifted
the globe
more than
we know.
Forget
Earth’s
rotation
due to
the four
seasons.
That handle
has moved.
But,
the milk
of the way
keeps
filling
the big
dipper
for those
Aura
Borealis’
babies
who
whisper
back to
their
heard
parents’
whistle.
Oh,
one
last
thing,
watch
the stars,
constellations,
meteors;
all of that.
They
have
more
to say
about
coming
days
than
corporate
lies and
B.S.
internet
swill.”
His
White Bites
order
handed
over
in a
grease-
stained,
paper
sack,
he started
to go,
then
turned
back.
“Need
company?
Got my
friend’s
truck.
Maqii’s
hot.”
Susan Slocum Dyer




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